Psychedelic Rock U.S.A. 1960s (Tracks) Fever Tree – “Time Is Now”

Psychedelic Rock U.S.A. 1960s (Tracks) 

Fever Tree (Houston, Texas, U.S.A.)

“Time Is Now” (written by S, Holtzman, V. Holtzman) B3 track included on the album “Creation”

Released on UNI Records (73067) in 1969

Line-up :

Fever Tree
Kevin Kelley – Drums
E. E. Wolfe – Bass
Michael Knust – Guitar
Grant Johnson – Keyboards
Dennis Keller – Bass, Vocals
John Tuttle – Drums
Rob Landis – Keyboards
Hal Blaine – Drums
David Cohen – Guitar
Walt Mescal – Guitar
Joe Osborne – Bass
Larry Knechtal – Piano
Billy Gibbons – Guitar
The Blackberries – Vocals

Arranged By [Strings And Horns] – David Angel (3) (tracks: B2)

Arranged By [Strings] – Gene Page (tracks: A2, B4)

Coordinator [Production Coordinator] – Doctor Don

Engineer [Chief Engineer] – Walter Andrus

Mastered By – Sandy Lehmann-Haupt

Painting [Cover Painting] – Dub Wethersby III

Producer – Scott Holtzman, Vivian Holtzman

Lyrics :

Don’t you know the time is now
Tomorrow is too far away
Can’t you see the time is now
I won’t wait another day

Don’t you know the time is now
If you look it’s very clear
Don’t you know the time is now
Can’t you see the place
In ay
I can’t wait, the time is now
I can’t wait
I don’t know
I don’t know
I don’t know how

Don’t you know the time is now
Let her…
Oh you better get it straight
Don’t you know the time is now
Hurry up, it’s getting late
Don’t you know the time is now
Can’t you see her place is here
Don’t you know the time is now
Don’t you know
Don’t you know
Oh don’t you know

Track Listing :

1. Woman, Woman (Woman) (Jancy Lee Tyler) – 2:33
2. Love Makes The Sun Rise (F. Davis, S, Holtzman, V. Holtzman) – 2:32
3.Catcher In The Rye (R. Landes, S, Holtzman, V. Holtzman) – 3:12
4.Wild Woman Ways (Jancy Lee Tyler) – 4:05
5.Fever Blue (S, Holtzman, V. Holtzman) – 3:33
6.Run Past My Window (Jancy Lee Tyler) – 3:25
7.Imitation Situation (Complete And Unabridged) (R. Landes, S, Holtzman, V. Holtzman) – 4:47
8.Time Is Now (S, Holtzman, V. Holtzman) – 4:05
9.The God Game (R. Landes, S, Holtzman, V. Holtzman) – 4:35

Although a Texas, USA-based act, Fever Tree made its mark with a tribute to the Summer of Love’s host city with their 1968 anthem ‘San Francisco Girls (Return Of The Native)’. Comprising Rob Landes (keyboards), Dennis Keller (vocals), E.E. Wolfe (bass), John Tuttle (drums) and Michael Knust (guitar), the psychedelic band formed in Houston, Texas, in the mid-60s as Bostwick Vine. The name change came in 1967 and the band subsequently signed with the Chicago-based Mainstream Records.

Two unsuccessful singles were recorded, and the unit then signed to Uni Records, and recorded their self-titled debut album in 1968. ‘San Francisco Girls (Return Of The Native)’ was penned by Vivian Holtzman, one of the band’s producers. Although only a minor chart hit, it received much airplay on the new USA FM rock stations and on John Peel’s Top Gear radio programme in the UK. Fever Tree recorded four albums, three of which charted in the USA, before splitting up in 1970. Interest in the band was renewed in the mid-80s psychedelic revival, and compilation albums were issued in both the USA and UK.
Their third and fourth albums presented here,  find the legendary Houston ’60s psych band moving away from their pop/psych West Coast leanings and developing an introspective darker edge. Both albums include some great sounds, with a monster 13 minute cover of “Hey Joe” being the highlight….
For Sale is first, Though credited as a Fever Tree release, 1970’s ironically-titled “For Sale” was little more than a collection of the earlier Mainstream sides (which may have been rerecorded) and leftover Uni-era odds and ends. A quick glance at the liner notes indicated the band had basically collapsed with keyboardist Rob Landis and drummer John Tuttle credited as ‘formerly of Fever Tree’.
Their places were taken by former Byrds drummer Kevin Kelley, keyboardist Grant Johnson, and various members of the Wrecking Crew and The Blackberries on ill thought out backing vocals and Dennis Keller’s vocals shine on the old standard “I Put a Spell on You,” (not to mention some luscious background singing by the Blackberries, who later warbled in Humble Pie) and the Love song, “She Comes In Colors.” Two of the cuts, “Girl Don’t Push Me” and “Hey Mister” are actually early singles;(For Sale was the band’s fourth album and was put together as they were breaking up.) In short For Sale is good but not great.
Again produced by husband and wife team of Scott and Vivian Holzman in 1969 Creation:starting with “Woman, Woman” (not the Gary Puckett song), the remaining cuts are from Creation and are all excellent, particularly “Wild Woman Ways,” “Catcher in the Rye”, “Run Past My Window”, and “Time is Now,” the latter featuring excellent guitar work by future ZZ Top frontman Billy Gibbons.
All of the band’s work is first-rate, particularly that of Dennis Keller and superb keyboardist Rob Landes. (Note: Landes is serving as organist and musical director at a church in Houston; not surprising, since many Fever Tree songs are reminiscent of liturgical music at it’s finest.)

The group originated in Houston, Texas and began in 1966 as a folk rock group called The Bostwick Vines. They changed their name to Fever Tree a year later after the addition of keyboard player Rob Landes.

The band briefly entered the public consciousness when their song “San Francisco Girls (Return of the Native)” reached No. 91 in the U.S. on the Billboard Hot 100 chart in June 1968.Like most of the band’s material, it was written by the couple of Scott and Vivian Holtzman, who also were their producers. This four-minute track captured all the band’s trademarks: Dennis Keller’s incantation-like vocals, the quick shifting between slow parts with an almost sacral feeling and faster, more rock-oriented parts, and especially the searing guitar work by Michael Knust.

Fever Tree also released their self-titled debut album, Fever Tree, in 1968, which charted at No. 156 on the Billboard 200 Chart.  A second album, Another Time, Another Place, followed in 1969 and peaked at No. 83 with a third album Creation, charting at No. 97 on the Billboard 200 Chart in 1970. Apart from “San Francisco Girls”, they never had another hit, although they later also tried writing songs themselves when they had dropped the Holtzmans as producers. The group disbanded in 1970, but reformed in 1978 with only guitarist Michael Knust remaining from the original line-up. The new formation of the group had little commercial success; Fever Tree was not heard of again until 2003 when Michael Knust died.

Fever Tree’s first two albums (Fever Tree and Another Time, Another Place) were re-released as a single CD on October 31, 2006. Fever Tree’s third and fourth albums (Creation and For Sale) are also available as a single CD.

Their recording of “Ninety-Nine and a Half (Won’t Do)” by Steve Cropper, Eddie Floyd, and Wilson Pickett was sampled as the primary riff in Madvillain’s “America’s Most Blunted” from their 2004 self-titled debut.

Band members :

Dennis Keller – vocals

Michael Stephen Knust (March 11, 1949 – September 15, 2003) – guitar

Rob Landes – synthesizer, organ, piano

E.E. “Bud” Wolfe – bass guitar

John Tuttle – drums

Don Lampton – guitar, keyboards

Discography :

Albums :

Fever Tree (1968), Uni Records/MCA

Another Time, Another Place (1968), Uni/MCA Tracks: A1 Man Who Paints the Pictures – Part 2 A2 What Time Did You Say It Is In Salt Lake City? A3 Don’t Come Crying To Me Girl A4 Fever A5 Grand Candy Young Street B1 Jokes Are For Sad People B2 I’ve Never Seen Evergreen B3 Peace of Mind B4 Death Is The Dancer

Creation (1969), Uni/MCA

For Sale (1970), Ampex Records

Live at Lake Charles (1978), Shroom Records

Singles :

“Girl Oh Girl (Don’t Push Me)” / “Steve Lenore” (1967)

“Hey Mister” / “I Can Beat Your Drum” (1968)

“Girl, Oh Girl” / “Steve Lenore” (1968)

“Come with Me” / “San Francisco Girls (Return of the Native)” (1968)

“What Time Did You Say It Is in Salt Lake City?” / “Where Did You Go” (1968)


Fever Tree – “Creation” Album photo (A’ Side)



Fever Tree – “Creation” Album photo (B’ Side)



Fever Tree – “Creation” Album cover photo (front)



Fever Tree – “Time Is Now” Video file link on YouTube

Fever Tree Band’s Page on Spotify

Fever Tree Band’s Page on Discogs

Fever Tree Band’s Page on Rate Your Music

Fever Tree Band’s Page on Rock And Roll History

Fever Tree Article about the band on Houston Press

Fever Tree Band’s Page on Google Music Store

Fever Tree Band’s Page on Apple Music

Fever Tree Full Albums Download Links on Rockasteria Blog


Hard Rock/Heavy Progressive Rock U.K. 1970s (Tracks) Warhorse – “Back In Time”

Hard Rock/Heavy Progressive Rock U.K. 1970s (Tracks) 

Warhorse (U.K.)

“Back In Time” (written by Warhorse) A2 track included on the album “Red Sea”

Released on Vertigo Records ( 6360 066) on 29th March 1972

Red Sea is the second and last album by English hard rock band Warhorse. The band is most known for his bass player, who was the original bassist of Deep Purple (“Mark 1”) from 1968–1969 for the first three albums.

Within weeks of Nick Simper’s final show with Deep Purple on July 4th 1969, he had played the Isle Of Wight Festival as part of singer Marsha Hunt’s backing band White Trash, and was beginning to plan a new group of his own.

After just a couple of gigs with Marsha, Nick realised that the rest of her band weren’t really up to the job, said as much, and found himself with the job of finding suitable replacements. He roped in Ged Peck on guitar (with whom he’d toured with The Flowerpot Men and Billie Davis), and his old Pirates band-mate Roger Pinner (aka Roger Truth) on drums. Pinner was soon replaced by Mac Poole. While this was going on Nick still found time for outside work, playing BBC sessions with The James Royal Set, and also putting together his own extracurricular band.

Ged Peck and Mac Poole were first on board, followed by singer Ashley Holt, who had auditioned for Deep Purple back in 1968. The James Royal Set’s keyboard player Rick Wakeman took part in early rehearsals but proved unreliable, and when the band’s first demo was recorded in April 1970 he was replaced by Frank Wilson. Very soon afterwards the band became a full time operation when Marsha Hunt folded her group due to the fact that she was pregnant by Mick JaggerInitial events made it look as if Warhorse’s starting path would be similar to that of Deep Purple. A record contract quickly arrived (with the new Vertigo label), an album was recorded, and the band made their debut live show – supporting Mott The Hoople in Hemel Hempstead.

‘Warhorse’ was released in November 1970, sounding pretty much like a heavier version of Deep Purple Mk1, and fully illustrating how much Nick Simper had contributed to both bands. However, Vertigo’s promotion concentrated more on the label than the album, and it undeservedly failed to chart, as did the belated single ‘St.Louis’ (an Easybeats song which had been in Deep Purple’s live repetoire until August 1969). Around the same time, Ged Peck made his exit, apparently after increasing difficulty in dealiing with Simper’s pre-eminence in the group. His replacement was Pete Parks from Black August, a band who had been sharing Warhorse’s rehearsal room.

Warhorse had built up a healthy live following inside their first year, and continued to do so when Pete Parks seamlessly stepped in on guitar, but the band’s fortunes had already peaked.They were forced to rush the recording of their second album ‘Red Sea’, which nevertheless received favourable press reviews, and pushed the band’s heavy credentials forward by being more guitar based than its predecessor. However, it received very little label promotion, and soon after its June 1972 release Warhorse were dropped from the roster. Around the same time Mac Poole decided to throw his lot in with Gong, after having deputised with them for a few shows.

Drummer Mac Poole was replaced by Barney James, and Warhorse picked themselves up yet again, this time beginning to incorporate soul elements into their music.After a time Rick Wakeman appeared back in the scene. He produced a set of demos for the band, and then borrowed Holt and James to help record his UK #1 ‘Journey To The Centre of The Earth’ solo album. Despite the fact that a new record contract for Warhorse was in the offing, both men decided to throw their lot in permanenty with Wakeman, and in June 1974 Nick Simper decided to bring the band to a close.

Line-up/Credits :

Ashley Holt – Vocals
Mac Poole – Drums
Nick Simper – Bass
Frank Wilson – Keyboards, Piano
Peter Parks – Guitar

Additional personnel :

Peter Parks – acoustic guitar

Rick Breach – photography, sleeve art, sleeve design

Dave Stock – engineer

Phillip Walker – liner notes

Nick Watson – remastering (CD reissue)

Warhorse – “Red Sea” Album cover photo (front)

warhorse red sea 2

Warhorse – “Red Sea” Album cover photo (A’ Side)

warhorse red sea 1

Warhorse – “Back In Time” Video file link on YouTube

Warhorse – “Red Sea” Full Album Video file link on YouTube

Warhorse – “Red Sea” Full Album Audio file link on Spotify

Warhorse – “Red Sea” Full Album Download Link on Rockasteria Blog

Warhorse – “Red Sea” Full Album Download file link on Back In Purple 70 Blog

Warhorse Band’s Page/Discography/Full Albums/Download Links on Muro Do Classic Rock Blog

Warhorse Band’s Page/Family Tree on Deep Purple Net Page

Warhorse Band’s Page on Rate Your Music

Warhorse Band’s Page on Discogs

7/12-inch Singles/E.P.s Garage/Psychedelic Rock Spain 1970s Skorpis – “No Hay Tiempo Para Creer”

7/12-inch Singles/E.P.s Garage/Psychedelic Rock Spain 1970s

Skorpis (Madrid, Spain)

“No Hay Tiempo Para Creer” (written by Skorpis) A’ Side single released on GMA Records (G-1026) in 1973

Line-up/Credits :





CARLOS F. CÁRCAMO – Violin, Flute, Percussion

Skorpis – “No Hay Tiempo Para Creer” Single cover photo (front)


Skorpis – “No Hay Tiempo Para Creer” Single photo 


Skorpis – No Hay Tiempo Para Creer” Video file link on YouTube

Skorpis – “No Hay Tiempo Para Creer” Audio file link on Spotify

Skorpis band’s page on Spotify



Garage/Mod/Psychedelic Rock Canada 1980s (Tracks) The Chessmen – “Time Machine”

Garage/Mod/Psychedelic Rock Canada 1980s (Tracks)

The Chessmen (Hamilton, Ontario, Canada)

“Time Machine” A7 track included on the album “The Chessmen”

Released in 1989 on Zapp Records (2001)

Line-up/Credits :

Dan Beer, vocals/guitar/harmonica/maracas
Rick Blythe, guitar/vocals/tambourine
Warren Cavanaugh, bass
Stephen Jameson, organ

The Chessmen – “The Chessmen” Album cover photo (front)


The Chessmen – “Time Machine” Video file link on YouTube