7/12-inch Singles/E.P.s Instrumental/Rock And Roll/Rockabilly/Surf Rock U.S.A. 1950s Link Wray and His Ray Men – “Rumble”

Link Wray And His Ray Men


7/12-inch Singles/E.P.s Instrumental/Rock And Roll/Surf Rock U.S.A. 1950s

Link Wray and His Ray Men (Dunn, North Carolina, U.S.A.)

Instrumental Music

A’ Side 7-inch single 

“Rumble” (written by Link Wray, Milt Grant) A’ Side single released on Cadence Records (1347) on 17th March 1958 (recorded in January 1958)

Rumble” is an instrumental by American group Link Wray & His Ray Men. Released in the United States in April 1958 as a single (with “The Swag” as a B-side),“Rumble” utilized the techniques of distortion and feedback, then largely unexplored in rock and roll. The piece is one of very few instrumental singles banned from the radio airwaves in the United States. It is also one of the first tunes to use the power chord, the “major modus operandi of the modern rock guitarist”.

In 2018, the song was inducted into the Rock and Roll Hall of Fame in a new category for singles.

At a live gig in Fredericksburg, Virginia, attempting to work up a backing for The Diamonds’ “The Stroll,” Link Wray & His Ray Men came up with the instrumental “Rumble”, which they originally called “Oddball”. It was an instant hit with the live audience, which demanded four repeats that night.

Eventually the instrumental came to the attention of record producer Archie Bleyer of Cadence Records, who hated it, particularly after Wray poked holes in his amplifier’s speakers to make the recording sound more like the live version. But Bleyer’s stepdaughter loved it, so he released it despite his misgivings Phil Everlyheard it and suggested the title “Rumble”, as it had a rough sound and said it sounded like a street fight.

It was banned in several US radio markets because the term “rumble” was a slang term for a gang fight and it was feared that the piece’s harsh sound glorified juvenile delinquency. It became a hit in the United States, where it climbed to number 16 on the charts in the summer of 1958. Bob Dylan once referred to it as “the best instrumental ever”. The Dave Clark Five covered it in 1964 on their first album, A Session with The Dave Clark Five; it also appeared on their second American album, The Dave Clark Five Return!.

An updated version of the instrumental was released by Wray in 1969 as “Rumble ’69” (Mr. G Records, G-820). In 2014 jazz guitarist Bill Frisell released a cover of “Rumble” on his album Guitar in the Space Age!“.

The 1980 Adam and the Ants song “Killer in the Home”, from their Kings of the Wild Frontier album, is based on the same refrain that is featured in “Rumble” (Ants guitarist Marco Pirroni has cited Link Wray as a major influence).

The piece is popular in various entertainment media. It has been used in movies, documentaries, television shows, and elsewhere, including Top GearThe Warriors (in the deleted opening scene), Pulp Fiction, Screaming Yellow Theater with host SvengoolieIndependence DaySpongeBob SquarePants vs. The Big One,Blow, the pilot episode of the HBO series The SopranosStarcraft IIRiding GiantsRoadracers, and Wild Zero.

In an interview with Stephen Colbert on April 29, 2013, Iggy Pop stated that he “left school emotionally” at the moment he first heard “Rumble” at the student union, leading him to pursue music as a career.

The title of the record serves as the title of the 2017 documentary film Rumble: The Indians Who Rocked the World which features, amongst others, the work of Wray and his impact on rock music as a man of Native American descent.

Wray came up with this when he was asked to play a stroll at one of his shows. The song was radically different from other popular instrumentals, as it introduced gritty guitar distortion and power chords to the world of rock.

Wray was with Archie Bleyer’s Cadence label and he wanted to record this as a single. Bleyer was ready to pass on it until his step daughter said she liked it and that it reminded her of the rumble scenes in West Side Story. Bleyer named the song “Rumble” and decided to release it. The title made the song somewhat controversial because it implied gang violence – some radio stations refused to play it. It might be the only instrumental song ever banned on the radio.
Wray was drafted in 1951 and fought in the Korean War where he caught
Tuberculosis. As a result, he had a lung removed in 1957 and couldn’t sing. After returning from Korea, he joined his family band the Palomino Ranch Gang, and went on to record as “Lucky” Wray in 1956.
Wray used a 1953 Gibson Les Paul guitar run through a Premier amp to produce this song.
Pete Townshend once declared about Wray, “He is the King; if it hadn’t been for ‘Rumble,’ I would have never picked up a guitar.”
This was used in a 2017 commercial for the Ford Focus where a cat rides in the backseat and closes the window to drown out the sound of a barking dog.

The song was honored at the Rock and Roll Hall of Fame in 2018 when they announced a category for “singles.” Five other songs were selected along with it:

“The Twist” – Chubby Checker
“Rocket 88” – Jackie Brenston and his Delta Cats
“Louie Louie” – The Kingsmen
“A Whiter Shade Of Pale” – Procol Harum
“Born To Be Wild” – Steppenwolf

Line-up/Credits :

Link Wray
electric guitarwriter

Ray Vernon
rhythm guitar

Shorty Horton
acoustic bass

Doug Wray

Milt Grant


Link Wray and His Ray Men – “Rumble” Single photo (A’ Side)