Embryo – “No Place To Go” (1973)

Band : Embryo (Musical collective from Munich, Germany, founded in 1969 by Christian Burchard and Edgar Hofmann)

Country Of Origin : Germany

Members :

Christian Burchard (vibraphone, hammer dulcimer, percussion, vocals, marimba, drums, 1969-2018), Edgar Hofmann (saxophone, flute, violin, 1969-79, 1985-89), Lothar Meid (bass, 1971), Jimmy Jackson(organ, 1971), Ralph Fischer (bass, 1969-73), Dieter Miekautsch (piano, clavinet, 1972-75), Dieter Serfas (drums, percussion, 1986-present), Wolfgang Paap (drums, 1971), Ingo Schmidt (saxophone, 1971), John Kelly (guitar, 1969-72), Charlie Mariano (soprano saxophone, alto saxophone, flute, bamboo flute, nagasuram, 1972-77), Roman Bunka (guitar, saz, vocals, percussion, bass, oud, 1972-80, 1988-96), Hans Fischer (flute, percussion, vocals, 1971), Jörg Evers (bass, 1971-72), Dave King (bass, 1972-73), Uwe Müllrich (bass, 1974-80), Maria Archer (vocals, percussion, 1975), Michael Wehmeyer(percussion, vocals, keyboards, 1983-84, 2002-present), Butze Fischer (drums, percussion, 1977-?), Friedemann Josch (flute, 1983-84), Julius Golombeck (guitar, percussion, oud, vocals, 1985-96), Gerald Luciano (bass, 1985), Lamidi Ayankunle (drums, vocals, 1986-?), Rabiu Ayandokun (drums, 1986-?), Marque Lowenthal (piano, 1988), Paolo Cardoso (bass, 1988), Paramashivam Pilai (vocals, tavil, 1988-?), Nie Xizhi (erhu, muyü, sheng, gaohu, 1995-present), Chris Karrer (oud, 1995-present), Lothar Stahl (drums, marimba), Jens Pollheide, Mik Quantius

Related Artists :

Amon Düül II, Checkpoint Charlie, Dissidenten, Mikrokosmos, Missus Beastly, Moira, Sadja

Track : “No Place To Go” (A1, written by Charlie Mariano, Christian Burchard, Dieter Miekautsch, Roman Bunka)

Album : “We Keep On” (Band’s sixth studio album)

Label : BASF (20 21865-1)

Date/Year Of Release : 1973

Category/Music Genres : Jazz Rock, Krautrock, Progressive Rock, Germany, 1970s (Tracks)

Embryo – “No Place To Go”

Video on YouTube

The track is included on the album “We Keep On”, 1973 (A1, opening track)

“We Keep On” album (LP BASF Systems BC 21865 / CD Disconforme Records 1936 (1999) includes two lengthy bonus tracks “Ticket to India” and “Flute, Saz and Marimba” with different order of the tracks).

Embryo – “We Keep On” Full Album Video on YouTube 

Embryo – “We Keep On” Full Album Audio Playlist on Spotify

Album cover photo (front)

Album photo (A’ Side)

Image result for embryo we keep on basf

Track-list

01. Abdul Malek (Roman Bunka, Christian Burchard) – 3:15
02. Don’t Come Tomorrow (Christian Burchard) – 3:48
03. Ehna, Ehna, Abu Lele (Roman Bunka, Christian Burchard) – 8:43
04. Hackbrett-Dance (Charlie Mariano, Christian Burchard) – 3:54
05. No Place To Go (Christian Burchard) – 12:27
06. Flute And Saz (Roman Bunka, Charlie Mariano, Christian Burchard) – 5:57
Total Time: 38:09
Bonuses:
07. Ticket To India (Christian Burchard) – 15:49
08. Flute, Saz And Marimba (Christian Burchard) – 8:35

Line-up 

– Roman Bunka / guitar, saxophone, vocals, percussion, bass (6)
– Christian Burchard / drums, vocals, percussion, marimba, vibes, hackbrett, Mellotron
– Charlie Mariano / alto & soprano saxes, flute, nagasuram, bamboo flute
– Dieter Miekautsch / acoustic & electric pianos, bass piano on the clavinet

Credits

Design – Holger Matthies

Lacquer Cut By – PF

Liner Notes – Rainer Blome

Liner Notes [Translation] – Mary McGlory

Producer – Embryo (3)

Producer, Photography By [Portraits] – Othmar Schreckeneder

Written-By – Mariano (tracks: A1 to B2, B4), Burchard, Miekautsch (tracks: A1, B1, B4), Bunka (tracks: A1 to B1, B3, B4)

Information about the band

Musical collective from Munich (Germany), founded in 1969 by Christian Burchard and Edgar Hofmann. Considered as one of the most important German jazz-rock bands during the 1970s.
In 1981, Uve Müllrich and Michael Wehmeyer left Embryo to form “Embryo’s Dissidenten” who soon became Dissidenten.
Embryo have continued for over 40 years with Christian Burchard always in charge and an ever changing international cast of musicians including talents from North Africa, India, China, etc., as well as occasionally featuring top jazz names like Mal Waldron and Charlie Mariano and luminaries of the Krautrock scene (source : “Discogs”).

EMBRYO (not to be confused with Italian and Swedish death metal bands of the same name) are a musical collective from Munich who, lead by former R&B and jazz organist Christian Burchard, boast the participation of some 400+ musicians since their beginnings in 1970. Over the years, the band went from classic space rock to jazz fusion, then Burchard soon started travelling the world and recording LPs with African bands and Middle Eastern musicians. They are still going strong and their 30 or so albums cover a wide spectrum of styles, but the constant remains a blend of Krautrock, fusion and ethnic music.

Of particular interest to progsters are four of their earlier albums: “Rache” (heavy, JETHRO TULL inspired), “Steig Aus” (for some warmer, jazzy prog), “Father, Son and Holy Ghost” (lots of ethnic influences) and “We Keep On” (a convincing blend of rock, ethnic and jazz). For fans who have already acquired the taste, “Zack Glück” (’80) is pleasantly quirky and more focussed than the rest of their repertoire; “Reise” (’79) is noteworthy for some interesting Indian fusion tracks; and “Opal” (’70), their very first, is considered their psychedelic masterpiece. For some samplers of more recent material, the album “Ni Hau” (’96), featuring music from China and Mongolia, and the double live cd “Istanboul-Casablanca – Tour 98” are particularly recommended.

If you’re into Krautrock and are a wee bit curious to see what a jazzy FAUST, AMON DÜÜL II or GURU GURU sounds like, you could start with any of the first four albums mentioned above (source : “Progarchives”).

One of the most original and innovative Krautrock bands, Embryo fused traditional ethnic music with their own jazzy space rock style. Over an existence spanning decades, during which Christian Burchard became the only consistent member, the group traveled the world, playing with hundreds of different musicians and releasing over 20 records.

Originally a jazzy space rock band, Embryo were formed in 1969 in Munich, Germany, by former R&B and jazz organist Christian Burchard (vibraphone, hammer dulcimer, percussion, marimba), Edgar Hofmann (saxophone), Lothar Meid (bass), Jimmy Jackson (organ), Dieter Serfas (drums, percussion), Wolfgang Paap (drums), Ingo Schmidt(saxophone), and John Kelly (guitar). However, the lineup was already different by the time sessions for their debut album began. The resulting record, Opal (1970), is considered Embryo’s masterpiece of their early, more psychedelic sound. By the time of Embryo’s Rache (1971), the group was already adding ethnic touches to its music.

In 1972, the same year they played at the Olympic Games in Munich, Embryo were invited by the Goethe Institute to tour Northern Africa and Portugal. In Morocco, the band was fascinated by the different tonal scales used by Moroccan musicians, profoundly shaping the group’s music to come. In 1973, the band was joined by saxophonist Charlie Mariano and guitarist Roman Bunka, who were both influential in moving Embryo toward their genre-blending mixture of space rock and ethnic sounds. We Keep On, released in 1973, was the most successful album in the group’s career.

However, after Surfin’ (1974) and Bad Heads & Bad Cats (1975), Burchard decided Embryo were moving in too commercial a direction and led them on an eight-month excursion to India, where they met local musicians. Shobha Gurtu, an Indian singer the bandmembers met during their travels, would later record an album with them, 1979’s Apo Calypso. Embryo also set up their own record label, Schneeball, with the rock band Checkpoint Charlie during this time, releasing such albums as 1979’s Embryo’s Reise and 1982’s La Blama Sparozzi – Zwischenzonen on the imprint. Embryo also took off on a two-year journey through the Middle East, India, Pakistan, and Afghanistan, during which the band’s bus broke down in Tehran near the end of the Iranian Revolution in 1981; this musical expedition was captured by the documentary film Vagabunden-Karawane. After touring Asia, the Middle East, and Egypt during the early ’80s, Embryo released their first studio album in seven years, Zack Gluck, in 1984. The band then toured Africa and became involved with Nigeria’s Yoruba Dun Dun Ensemble.

However, after internal conflicts, Embryo split up. Burchard continued under the Embryo name with new musicians while a new group, Embryo’s Dissidenten, was formed. Embryo continued to release both new and archival recordings into the 21st century, including 2006’s Embryonnck, a collaboration with the No-Neck Blues Band. However, Burchard suffered a stroke in 2016, which effectively ended his career as a musician, and his daughter Marja took over leadership of the group. Christian Burcharddied in January 2018 at the age of 71 (source : “All Music”).

Embryo is a musical collective from Munich which has been active since 1969, although its story started in the mid-1950s in Hof where Christian Burchard and Dieter Serfas met for the first time at the age of 10. It was one of the most important German jazz-rock bands during the 1970s and has also been described as “the most eclectic of the Krautrock bands.”

History

In 1969 the band was founded by multi instrumentalist Christian Burchard (drums, vibraphone, santur, keyboard) and Edgar Hofmann (saxophone, flutes). To date more than 400 musicians have played with the collective, some, such as Charlie Mariano, Trilok Gurtu, Ramesh Shotham, Marty Cook, Yuri Parfenov, Allan Praskin, X.Nie, Nick McCarthy, Monty Waters and Mal Waldron, have played on multiple occasions. Longtime members are Edgar Hofmann (sax, violin), Dieter Serfas (drums), Roman Bunka (guitar, oud), Uve Müllrich (bass), Michael Wehmeyer (keyboard), Chris Karrer (guitar, oud, violin, sax), Lothar Stahl (marimba, drums), and Jens Polheide (bass, flute).

With Ton Steine Scherben, they were founders of the first German independent label Schneeball in 1976.

In 1979 the band started a nine-month tour to India by bus which is documented in the movie “Vagabunden Karawane”. Embryo developed from jazzy Krautrock to a world music band which is able to merge different styles and trends. Many of their albums originated during collective journeys on 4 continents. The band played many festivals around the globe: in India (Mumbai Jazz 1979), England (Reading 1973), Nigeria (Port Harcourt Jazz 1987), Japan (Wakayama 1991) to name a few. In July 2008, Embryo was awarded the German World Music Award RUTH 2008 at the TFF Rudolstadt Festival.

In 1981, Müllrich and Wehmeyer left Embryo to form “Embryo’s Dissidenten” who soon became Dissidenten.

On the road to Marokko in March 2016 Christian Burchard had a stroke. Since then Marja Burchard (drums, vibraphone, vocals, trombone, keyboard), daughter of Christian Burchard, who grew up with the band, is leading Embryo.

On January 17, 2018 Christian Burchard passed away in Munich. He was 71 years old (source : “Revolvy”/”Wikipedia”).

Discography 

Discography

1970: Opal (Ohr)

1971: Embryo’s Rache (United Artists)

1972: Father Son and Holy Ghosts (United Artists)

1972: Steig aus (Brain, a.k.a. This Is Embryo), featuring Mal Waldron

1973: Rocksession (Brain), featuring Mal Waldron

1973: We Keep On (BASF), featuring Charlie Mariano

1975: Surfin (Buk), featuring Charlie Mariano

1976: Bad Heads and Bad Cats (April), featuring Charlie Mariano

1977: Live (April), featuring Charlie Mariano

1977: Apo Calypso (April), featuring Trilok Gurtu and Shobha Gurtu on one track

1979: Embryo’s Reise (Schneeball/Indigo)

1980: Embryo / Karnataka College of Percussion / Charlie Mariano – Life (Schneeball)

1980: Anthology (Materiali Sonori, compilation reissued on CD as Every Day Is Okay in1992)

1982: La blama sparozzi / Zwischenzonen (Schneeball)

1984: Zack Glück (Materiali Sonori)

1985: Embryo & Yoruba Dun Dun Orchestra Feat. Muraina Oyelami (Schneeball)

1985: Africa (Materiali Sonori)

1989: Turn Peace (Schneeball), featuring Mal Waldron

1994: Ibn Battuta (Schneeball/Indigo), featuring Marty Cook on one track

1996: Ni Hau (Schneeball/Indigo), featuring Xizhi Nie

1998: Live in Berlin (Schneeball)

1999: Istanbul–Casablanca Tour 1998 (Schneeball/Indigo), featuring Alan Praskin

1999: Invisible Documents (Disconforme)

2000: One Night in Barcelona (Recorded at the Joan Miró Foundation) (Disconforme),featuring Yuri Parfenov

2001: Live 2000, Vol. 1 (Schneeball)

2001: Live 2001, Vol. 2 (Schneeball)

2003: Bremen 1971 (Garden of Delights)

2003: Hallo Mik (Schneeball/Indigo, live recordings)

2006: Embryonnck with the No-Neck Blues Band(Schneeball/Staubgold/Sound@One)

2006: News (Ultimate)

2007: Live im Wendland (Schneeball), anti-nuclear solidarity concert 2005 in Gorleben

2007: For Eva , 1967 recording featuring Mal Waldron

2008: Freedom in Music , featuring X. Nie

2008: Live at Burg Herzberg Festival 2007 (Trip in Time)

2008: Wiesbaden 1972 (Garden of Delights)

2010: Embryo 40 (Trikont/Indigo, compilation)

2011: Memory Lane, Vols. 1-3 (Download only), featuring Mal Waldron

2016: It Do (Trikont/Indigo, compilation)

External links 

Embryo Band’s Homepage

Embryo Band’s Page on Facebook

Embryo Band’s Page on Spotify

Embryo Band’s Page on Last Fm

Charlie Mariano Tribute Page

Embryo Album Reviews on Gnosis2000.Net

Embryo Band’s Documentary on IMDb

Embryo – “We Keep On” Full Album Download Link on Rock & Roll Archives

Embryo – “We Keep On” Full Album Download Link on 7Digital

Embryo – “We Keep On” Full Album on Google Play

Embryo – “We Keep On” Full Albun on Apple Music

 

 

 

Nosferatu – “Found My Home” 1970

Band : Nosferatu

(formed in 1968,  in Frankfurt am Main, Hessen, Germany. Disbanded in 1971).

Obscure German Krautrock band, notable for its English progressive rock influences. One self-titled album was released in 1970. In their early days they were fronted by guitarist/vocalist Michael Winzkowski (who went on to Orange Peel and Epsilon), and winds player Christian Felke also guested later with Epsilon.

Related Artists/Bands : Epsilon, Orange Peel, Papa Zoot Band

Country Of Origin : Germany

Track ” “Found My Home” (A3 track, written by Michael Thierfelder, Nosferatu)

Album ” “Nosferatu” (The band’s debut and sole studio album)

Label : Vogue Schallplatten (LDVS 17178)

Date/Year Of Release : 1970

Category/Music Genres : Krautrock, Progressive Rock, Germany 1970s (Tracks)

Nosferatu – “Found My Home”

Video on YouTube

The track is included on the album “Nosferatu”, 1970 (A3 track)

“Nosferatu” album (released in a laminated gatefold cover).

Nosferatu – “Nosferatu” Full Album Video on YouTube

Nosferatu – “Nosferatu” Full Album Audio Playlist on Spotify

Album cover photo (front)

Track-list 

1. Highway (4:16)
2. Willie The Fox (10:48)
3. Found My Home (8:39)
4. No. 4 (8:47)
5. Work Day (6:59)
6. Vanity Fair (6:44)

Total Time: 46:32

Line-up 

Bass Guitar – Michael “Mike” Kessler

Drums – Byally Braumann

Lead Guitar – Michael “Xner” Meixner

Organ – Reinhard “Tammy” Grohé

Saxophone, Flute – Christian Felke

Vocals – Michael “Mick” Thierfelder

Credits 

Design [Cover] – J. Kipp

Engineer – Conny Plank

Photography By – G. Bockemühl, Horst-D. Barkow, K.-H. Hoffmann

Producer, Liner Notes – Tony Hendrik

Written-By – M. Thierfelder, Nosferatu (3)

Information about the album/band/track

Contrary to other bands produced by the famous Conny Plank (KRAFTWERK, GURU GURU and many others), NOSFERATU’s musical career was very short and suffered of a lack of recognition by a larger public. Almost nothing is said about their history and the only thing we have from them is a fresh, enthousiastic, atypical jazzy rock album dominated by raw, aggressive guitars and progressive “folk” arrangements. NOSFERATU belongs to this kind of German bands who success to create a deep and trippy atmosphere thanks to fine moments of long instrumental solos, crossing with an original touch guitars to sax, flute and electric organs. The lyrics are sung in English and stay very strong. An enjoyable effort which can be compared with others “cult” German fusion items. Similar bands: DZYAN, XHOL, SAMETI, OUT OF FOCUS (source : “Progarchives”).

Named after the vampire from the early expressionist film, Nosferatu were one of the earliest groups from Germany to explore beyond the conventional beat music and blues into the far more progressive realms of Krautrock in the late 1960s. The group is also one of the most obscure Krautrock bands, with only one record to their name.

The 1968 students riots in Paris were the spark for several groups of musicians, in both France and Germany, and that event marks the starting point of the earliest Krautrock bands, among them Can, Xhol Caravan, and others, including Nosferatu. One early member was guitarist Michael Winzkowski, who later went on to the better-known prog-rock band Epsilon in 1970. The group’s music still owed some debt to more conventional British rock and earlier beat bands, but also saw the group adventuring out on longer compositions and some fusion elements, and their music was imbued with that dark Teutonic angst that often distinguishes Krautrock from other rock music of that era.

In 1970 Nosferatu recorded their one and only self-titled album, which was released by the French label Vogue in both France and Germany. At this time the band consisted of vocalist Michael Thierfelder, sax and flute player Christian Felke, bassist Michael Kessler, organist Reinhard Grohe, guitarist Michael Meixner, and drummer Byally Braumann. Since Vogue wasn’t a label normally associated with Krautrock, record sales languished and the group disbanded the next year when Felke joined Winzkowski in Epsilon. The rare LP has since become one of the more pricey items on the collector’s circuit, with mint copies fetching the equivalent of $500 or more. In 1993 the album was released on CD by Ohrwaschl (source : “All Music”).

External links

Nosferatu – “Nosferatu” Full Album Video on YouTube

Nosferatu – “Nosferatu” Full Album Audio Playlist on Spotify

Nosferatu – “Nosferatu” Full Album Audio/Video Playlist on Last Fm

Nosferatu – “Nosferatu” Full Album Download Link on Rock Archeologia 60-70 Blog

Nosferatu – “Nosferatu” Full Album Download Link on Back In Purple Blog

 

Brian Eno – “An Ending Ascent” (1983)

Artist : Brian Eno (Brian Peter George St John le Baptiste de la Salle Eno, born  on 15th May 1948, in Woodbridge, Suffolk, U.K.)

Country Of Origin : U.K. 

Track : “An Ending Ascent” (A5 track, instrumental, written by Brian Eno)

Album ” Apollo – Atmospheres And Soundtracks” (Apollo: Atmospheres and Soundtracks is the ninth solo studio album by British ambient musician Brian Eno, released in 1983. It was written, produced, and performed by Brian Eno, his brother Roger and Daniel Lanois. Music from the album appeared in the films 28 Days LaterTraffic, and Trainspotting, whose soundtrack sold approximately four million copies. Two of the songs from the album, “Silver Morning” and “Deep Blue Day”, were issued as a 7″ single on EG Records).

Label : EG Records (EGLP 53), Polydor Records (813 535-1)

Date/Year Of Release : July 1983 (recorded Grant Avenue Studio, Hamilton, Ontario, Canada 1981-1982)

Category/Music Genres : Ambient, Electronic, Experimental, Soundtracks, Space Ambient U.K. 1980s (Tracks)

Brian Eno

Artist’s photo

Image result for BRIAN ENO

Brian Eno “An Ending Ascent”

Video on YouTube

Brian Eno “An Ending Ascent”

Video on Vimeo

The track is included on the album “Apollo – Atmospheres And Soundtracks” (A5 track)

“Apollo – Atmospheres And Soundtracks” Album (released in 1983)

Brian Eno – “Apollo – Atmospheres And Soundtracks” Full Album Audio Playlist on Spotify

Album cover photo (front)

Album photo (A’ Side)

Image result for eno apollo

Tracks 

1. “Under Stars” (Brian Eno, Daniel Lanois) (4:25)
2. “The Secret Place” (Daniel Lanois, arranged Brian Eno) (3:27)
3. “Matta” (Brian Eno) (4:14)
4. “Signals” (Brian Eno, Daniel Lanois) (2:44)
5. “An Ending (Ascent)” (Brian Eno) (4:18)
6. “Under Stars II” (Brian Eno, Daniel Lanois) (3:15)
7. “Drift” (Roger Eno, Brian Eno) (3:03)
8. “Silver Morning” (Daniel Lanois) (2:35)
9. “Deep Blue Day” (Brian Eno, Daniel Lanois, Roger Eno) (3:53)
10. “Weightless” (Brian Eno, Daniel Lanois, Roger Eno) (4:28)
11. “Always Returning” (Brian Eno, Roger Eno) (3:49)
12. “Stars” (Brian Eno, Daniel Lanois) (7:57)

Line-up

Musicians: Brian Eno, Daniel Lanois, Roger Eno

Credits 

Cover Art : Russel Mills
Mastered by Greg Calbi, at Sterling Sound

Co-producer – Brian Eno, Daniel Lanois

Information about the artist 

Brian Eno, in full Brian Peter George St. John le Baptiste de la Salle Eno, (born May 15, 1948, Woodbridge, Suffolk, England), British producer, composer, keyboardist, and singer who helped define and reinvent the sound of some of the most popular bands of the 1980s and ’90s and who created the genre of ambient music.

While an art student in the late 1960s, Eno began experimenting with electronic music, and in 1971 he joined the fledgling band Roxy Music as keyboardist and technical adviser. A rivalry with singer Bryan Ferry led Eno to leave the group in 1973, whereupon he launched a solo career. No Pussyfooting (1973), a collaboration with guitarist Robert Fripp from King Crimson, used tape-echo and tape-delay techniques to create new sounds and reached the Top 30 in Britain. Eno’s next album, Here Come the Warm Jets (1973), was soon followed by the proto-punk single “Seven Deadly Finns.” In the mid-1970s Eno began developing his theory of ambient music, creating subtle instrumentals to affect mood through sound. Albums such as Discrete Music (1975), Music for Films (1978), and Music for Airports(1979) exemplified this approach.

During this period Eno also began producing albums for other artists, and his experimental approach to music making was well suited to such alternative performers as Devo, Ultravox, and David Bowie(especially on Bowie’s trilogy of albums recorded primarily in Berlin). Although Eno’s work was influential, it was not until his collaborations with Talking Heads and U2 that mainstream listeners became familiar with his sound, most notably on Talking Heads’ Top 20 album Remain in Light (1980) and U2’s chart-topping albums Unforgettable Fire (1984), The Joshua Tree (1987), and Achtung Baby(1991).

Throughout the 1990s, Eno joined a number of visual artists to provide sound tracks to installation pieces, and in 1995 he worked with Laurie Anderson on Self Storage, a series of installations housed in individual lockers at a London storage facility. Anderson provided the vocals for a track on Eno’s electronic album Drawn from Life (2000), and Eno followed with a rare vocal album of his own, Another Day on Earth (2005). He returned to the producer’s chair for Paul Simon’s critically lauded Surprise (2006) and Coldplay’s multi-platinum Viva la Vida (2008).

In 2008 Eno teamed with former Talking Heads frontman David Byrne for their first collaborative effort in nearly three decades. Adopting the self-publishing model popularized by Radiohead, Byrne and Eno released Everything That Happens Will Happen Today on the Internet, where listeners could stream the entire album for free or purchase physical or digital copies directly from the artists. Also in 2008 Eno and Peter Chilvers debuted the first of several smartphone apps that allowed the user to create generative music. Eno later collaborated with Karl Hyde of the British electronic band Underworld for the Afrobeat-inspired Someday World and the more accessible High Life (both in 2014) and with pianist Tom Rogerson on Finding Shore (2017). Among Eno’s own albums, the four-track The Ship (2016) meditated on the sinking of the Titanic and on World War I. In 2018 he released a box set of music commissioned for art pieces, Music for Installations (source : encyclopedia “Britannica”).

Information about the album/track

The track, along with the rest of the album, was composed for the film For All Mankind, a documentary on the early years of NASA. The film wasn’t completed until 1989.
Aside from those that feature country & western guitar, “An Ending (Ascent)” stands out from Brian Eno’s other ambient tracks due to its clear use of discernible (yet slow-moving) melody.
The track has appeared in a number of media uses, including in the TV series JamTop Gear and Nip/Tuck; films Traffic28 Days Later and Drive; and David Firth’s animation Salad Fingers.
Frou Frou sampled the track in their song “Hear Me Out” in 2002, as did Burial in 2006 for “Forgive” (source : “Songfacts”).

This music was originally recorded in 1983 for a feature-length documentary movie called “Apollo” later retitled For All Mankind, directed by Al Reinert. The original version of the film had no narration, and simply featured 35mm footage of the Apollo moon missions collected together roughly chronologically, and set to Eno’s music as it appears on the album. Although the film had some limited theatrical runs at art house cinemas in some cities, audience response was lukewarm. The filmmakers still felt the film could do better if it reached a wider audience, and so they re-edited the film, added commentaries from the Apollo astronauts themselves, re-structured the music, and re-titled the film in the process. Various edits of the film were shown to test audiences for further refining. As all this was going on, the film’s release was delayed until 1989. By that time several tracks on the album were omitted from the soundtrack and replaced by other pieces by Eno and other artists.

The tracks from the album that remain on the final edit of the film are:

  • “Always Returning”
  • “Drift”
  • “Silver Morning”
  • “Stars”
  • “Under Stars”
  • “The Secret Place”
  • “An Ending (Ascent)”

The newer tracks from the film that are not on the album (but appear on Music for Films III) are:

  • “Sirens” (Brian Eno, Daniel Lanois)
  • “Theme for ‘Opera'” (Brian Eno, Roger Eno)
  • “Fleeting Smile” Roger Eno)
  • “Tension Block” (Daniel Lanois)
  • “Asian River” (Brian Eno)
  • “Quixote” (Roger Eno)
  • “4-Minute Warning” (John Paul Jones)
  • “For Her Atoms” (Lydia Kavina (Theremin), Misha Malin)

In the liner notes, Eno relates that when he watched the Apollo 11 landing in 1969 he felt that the strangeness of that event was compromised by the low quality of the television transmission and an excess of journalistic discussion, and that he wished to avoid the melodramatic and uptempo way it was presented. That philosophy dominated when For All Mankind (“Apollo”) was originally released as a non-narrative collection of NASA stock footage from the Apollo program. The non-narrative version of the film with the Eno soundtrack was released on VHS video in 1990 by the National Geographic Society. An alternative version was also released by NASA featuring audio interviews but omitting the Brian Eno soundtrack.

The album contains a variety of styles. “Under Stars”, “The Secret Place”, “Matta”, “Signals”, “Under Stars II”, and “Stars” are all dark, complicated textures similar to those on Eno’s previous album Ambient 4/On Land. “An Ending (Ascent)”, “Drift”, and “Always Returning” are smoother electronic pieces. “Silver Morning”, “Deep Blue Day”, and “Weightless” are country and western inspired ambient pieces featuring Daniel Lanois on guitar.

Country music, which Eno listened to as a child in Woodbridge on American armed forces radio, was used to “give the impression of weightless space.” 

“Under Stars” is a recurring theme in the album, first appearing as an ambient electronic bed behind a treated guitar. “Under Stars II” is the same composition, but with different effects and treatments. “Stars” is the pure background texture without the guitar.

The track “An Ending (Ascent)” was sampled in the song “Hear Me Out” by the group Frou Frou, in “Forgive” by British producer Burial, additionally in “Ascent” by Michael Dow, a London electronic music producer, and has been used in several films such as Traffic and 28 Days Later, and in the London Olympiad opening (the memorial wall section).

Many of the tracks on the album were recorded with soft “attacks” of each note, then played backwards, with multiple heavy echoes and reverb added in both directions to merge the notes into one long flowing sound with each note greatly overlapping each adjacent note, producing the “floating” effects that Eno desired.

The Yamaha DX7 was used extensively by Eno on the album. “…so many processings and reprocessings – it’s a bit like making soup from the leftovers of the day before, which in turn was made from leftovers…” (making the album) Eno said, “…. Well, I love that music anyway …. what I find impressive about that music is that it’s very concerned with space in a funny way. Its sound is the sound of a mythical space, the mythical American frontier space that doesn’t really exist anymore. That’s why on Apollo I thought it very appropriate, because it’s very much like “space music” — it has all the connotations of pioneering, of the American myth of the brave individual.

n the summer of 2009 a live version of the album was performed at two concerts in the IMAX cinema of London’s Science Museum and in an arrangement by South Korean composer Woojun Lee for the ensemble Icebreaker with featured artist B J Cole on pedal steel guitar. The album was performed in its entirety, with the tracks in a different order, to a silent and edited version of For All Mankind, closer to the original conception than the released version of the film. A revised version was performed twice at the 2010 Brighton Festival, where Eno was guest artistic director, before subsequent touring in the UK, Ireland and mainland Europe.

Due to the heavily processed nature of the studio-based sound on the original tracks, an exact reproduction would have been impossible to reproduce in a live context, so Woojun Lee chose to apply a free interpretation of the sound world and to make an impression of the original tracks through use of Icebreaker’s instrumental resources.

The performances from Brighton were recorded and an album of the live interpretation was released in June 2012 (source : “Wikipedia”).

External Links 

Brian Eno – “Apollo – Atmospheres And Soundtracks” Full Album Video Playlist on YouTube

Brian Eno – “Apollo – Atmospheres And Soundtracks” Full Album Audio Playlist on Spotify

Brian Eno – “An Ending Ascent” Audio/Video file on Last Fm

Brian Eno Artist’s Homepage

Brian Eno Artist’s Page on Facebook

Brian Eno Artist’s Page on Twitter

Brian Eno – Full Albums Download Links on Lágrima Psicodélica

 

The Odds & Ends – “Never Learn” (1966)

Band : The Odds & Ends 

Country Of Origin : U.S.A.

Track : “Never Learn” (7-inch Single), written by M. Marotta, S. Prosen

7-inch Single : A’ Side Single “Never Learn”, B’ Side Single “(Hey Little Girl) Before You Go”

Label : Red Bird Records (RB 10-083)

Date/Year Of Release : September 1966

Category/Music Genres :  Rock, U.S.A., 1960s (A’ Side Singles)

The Odds & Ends – “Never Learn” A’ Side Single

Video on YouTube

The Odds & Ends – ” (Hey Little Girl) Before You Go” B’ Side Single

Video on YouTube

The Odds & Ends – ” Never Learn” 

Lyrics 

Well I tried so very hard to please you
Yet you never learned
The secret of my love is easy, easy to learn
You can see the real me and how I feel
To be true love takes two, now we must part

Never learn!
No, no, no you’ll never learn

Told you once, told you twice
But deep inside I know
That some day you will turn away and hurt me so

Never learn!
No, no, no you’ll never learn

When I stood beside you I believed you, now I can not hide
The love I knew slowly faded, until it died
What must be – is to be, no one’s to blame
I just can’t feel the same without your heart

Never learn!
No, no, no you’ll never learn

Never!

A: Never Learn
B: (Hey Little Girl) Before You Go

Credits 

Sid Prosen – Producer

External Links

The Odds & Ends – “Never Learn” Audio/Video file link on Last Fm

The Drag Set – “Day And Night” (1967)

 

Band : The Drag Set ( formed in 1963 by four musicians from Putney, South West London. Initially named The Apaches formed by Tim du Feu, Mike Brancaccio and Philip Fox and their friend Ray Nye. Nye left in 1965 and another friend, Terry Schindler, joined instead. The band became The Drag Set)

Country Of Origin : U.K.

Track : “Day And Night” (7-inch Single), written by Schindler, Brancaccio

7-inch Single :  A’ Side Single “Day And Night” (B’ Side “Get Out Of My Way”)

Label : Go Records (AJ 11405)

Date/Year Of Release : May 1967

Category/Music Genres : Garage Rock,  U.K. 1960s (A’ Side Singles)

The Drag Set – “Day And Night”

Video on YouTube

The Drag Set – “Get Out Of My Way” 

Video on YouTube

“Day And Night” b/w “Get Out Of My Way” 7-inch Single (Go Records AJ 11405), May 1967

Single Photo (A’ Side)

THE DRAG SET SINGLE

Single Photo (B’ Side)

No photo description available.

The Drag Set 

Open Mind (a.k.a The Drag Set)

Image may contain: 2 people

Tim Dufeu Marquee Club, London

Image may contain: 1 person, playing a musical instrument and guitar

Tim Dufeu, Philips Studios

Image may contain: 1 person, sitting and guitar

Line-up

Mike Bran, a.k.a. Mike Brancaccio – lead guitar, vocals, piano (born 17 April 1946, Rome, Italy)

Timothy du Feu – bass guitar(born 31 May 1944, Malvern, Worcestershire, England)

Philip Fox – drums (born 26 August 1946, Westminster, South West London)

Terry Martin, a.k.a. Terry Schindler – guitar, vocals (born 26 August 1945, Holborn, West Central London)

Credits 

Lionel Segal – Producer

Information about the band

The band was formed in 1963 by four musicians from Putney, South West London. Initially named The Apaches formed by Tim du Feu, Mike Brancaccio and Philip Fox and their friend Ray Nye. Nye left in 1965 and another friend, Terry Schindler, joined instead. The band became The Drag Set, who released a little-known single in February 1967, “Day and Night” / “Get Out of My Way”. Shortly thereafter, they changed their name to The Open Mind and in July 1969 released a self-titled LP which has since become a highly sought-after collectible. The band, however, is best known for its druggy August 1969 single, “Magic Potion”, which did not appear on the album.

The Open Mind disbanded in 1973; its members wanted to move into jazz-influenced music, but The Open Mind was too well known as a psychedelic band. The band members (minus Phil Fox) went on to form Armada, which lasted about three years but did not release any recorded material.

Despite their paucity of recorded material, The Open Mind have proven to be influential in the psychedelic rock genre, their single “Magic Potion” having been covered by bands such as The Seers, Sun Dial and The Damned (source : “Discogs”).

External Links 

Interview with Timothy Dufeu on It’s A Psychedelic Baby Magazine

The Drag Set (later known as Open Mind) on Time Machine Music

The Drag Set – “Day And Night” Audio File on Spotify

 

Six Feet Under – “What Would You Do?” (1969/1970)

 

Band : Six Feet Under (Formed in 1966 out of the ashes of the Marc 5 and Sonix, in Colonia, New Jersey, U.S.A.)

Country Of Origin : U.S.A.

Track : “What Would You Do?” (A3 track, studio recording)

Album : “In Retrospect 1969-’70″ (Compilation album, including studio/home recordings and bonus tracks)

Label : Arf! Arf! Records (AA-074)

Date/Year Of Recording/Release : Recorded in 1969-1970, released in 1998

Category/Music Genres : Garage/Psychedelic Rock, U.S.A., 1960s/1970s

Six Feet Under – “What Would You Do?” 

Video on YouTube

The song is included on the album “In Retrospect 1969-’70” (A3 track,  studio recording)

“In Retrospect 1969-’70” album (released in 1998)

Album cover photo (front and back)

Image result for six feet under in retrospect

Six Feet Under – “In Retrospect 1969-’70” Full Album Video on YouTube

Tracks

1 Inspiration in My Head – 2:28
2 Freedom – 4:07
3 What Would You Do? – 3:43
4 Baby I Want to Love You – 8:08
5 In Retrospect – 4:04
6 Fields – 3:04
7 Running Around in the Sun – 3:28
8 Black Movies – 3:20
9 Six Feet Under Theme – 2:46
10 Suzy Q – 6:18
11 City Blues – 5:12
12 In-A-Gadda-Da-Vida (D. Ingle) – 11:52
13 Basement Jam – 0:47
14 Sonix Commercial – 0:58
15 Inspiration in My Head – 2:51
16 Freedom – 4:30
17 What Would You Do? – 5:53
18 Fields – 3:05
19 Boogie Man Bash – 0:44

Six Feet Under

Line-up 

Jay Crystal –  Drums
Nanette DeLaune – Vocals
Jerry Dobb – Keyboards, Vocals
Scott Julian – Guitar
Hector Torres – Drums
Duane Ulgherait  – Bass
Richie – Drums (only on track #9)

Information about the album/band

“This Colonia, NJ ensemble captured the changing times and sociological upheaval of the pre-Woodstock Nation. Like the Jefferson Airplane, Neighb’rhood Childr’n and The United States Of America, Six Feet Under was blessed with a dynamic diva who soared amidst searing fuzz leads, swirling organ chords, and gifted songwriting with prophetic lyrics”. (from their CD-release “In Retrospect 1969-’70”).

“As Bar Mitzvah presents, Jerry Dobb receives an Acetone electronic organ with Kalamazoo Amplifier and Scott Julian receives an Epiphone electric guitar and amp. The friends decide to form a band in the archetypal New York City suburb of Colonia, New Jersey. First band is named the Marc 5 (for no reason that I can now remember – no one named Marc in the band). The band consists of Jerry and Scott, Bob Briendel on bass (he had no idea how to play. Scott showed him where to put his fingers), Phil Mazuski on drums and the only real musician, Joe “Musky” Muscolino on saxophone.
The band had a repertoire of about 10 songs, including “Summertime,” “Tequila” and “The Batman Theme.” Playing a private pool party and someone requested “Moon River.” Musky knew it, so we faked it behind him. It was pretty awful, but the guests were too drunk to care and actually gave us an extra tip for playing it! The thirteen year olds in the band hook up with a seemingly much older, 17 year old singer named Pete (don’t remember his last name) and change the name of the band to the Sonix. Pete is an R&B enthusiast and the song list changes to include “I Got You,” “Mustang Sally” and other soul songs. Pete performs James Brown style with spins, splits and yelps.
The hand uniform is pointy-toed black shoes, black pants, pink Italian high-roll collar shirts and burgundy button front sweaters. The band decides that they’d like to follow a more hip and hippy style of music. Pete departs and the group reforms as Six Feet Under. Phil is replaced by Ritchie on drums. Bob, who never really took to music, is replaced by Duanc Ulghcrait on bass. Joe leaves for an established soul band. A girl singer (name unknown) briefly comes and goes. Ritchie, while an excellent drummer, proves to be volatile and is replaced by Hector “Tico” Torres from Sayerville N.J. Where did the name Six Feet Under come from? Well after the Sonix, the hand wanted a new hipper name.
The first thing decided was that the name shouldn’t begin with “The.” After some brainstorming, someone mentioned that the British band Ten Years After didn’t start with “The” and was kind of cool. So we started coming up with phrases that fit that pattern; a number, a noun, and an adverb. We also wanted a name that was kind of dark and slightly threatening, like the Grateful Dead. Ultimately someone came up with Six Feet Under, and we immediately realized that it was the perfect moniker. Later, when Nannette joined the band the sound softened a bit, but the name stuck until the end.
When the dust settles it’s Jerry on organ and vocals, Scott on guitar, Duane on bass and Tico on drums. Tico plays a drum set that belonged to his dad, circa the mid-1940s. The bass drum was oversized and the tom-toms were nailed onto the bass. A friend of Tico’s paints a beautiful oil painting of a woman’s head floating above a grave with ghostly hands reaching up, trying to retrieve it. This is cut out and inserted into the front of the bass drum. A simplified line drawing of the painting is used as a promotional hand-out.
The band plays at least one night most weekends and improves. Gigs include dances, Rutger’s University fraternity parties, battle of the band competitions and local festivals in and around Northern New Jersey. The songs now include a lot of Doors material, Cream, Hendrix, and the signature song, a relatively faithful rendition of the complete “In-A-Gadda-Da-Vida.” The First original songs appear, including “The Six Feet Under Theme” and “Karen.” Around this time the opportunity to record appears.
Fifteen year old Nanette DeLaune joins the band as “chick singer” a la Grace Slick. Jay Crystal begins as drummer. While preparing to record the band continues to play gigs, many times two a weekend. The material now includes songs by the Jefferson Airplane, Rolling Stones, Santana, Ten Years After and Blind Faith. Show stoppers include a rousing version of “Soul Sacrifice” and a 15 minute set of songs from the Who’s “Tommy.” Original material is written by Jerry and practised.
The band records at the Scepter Studios. Jerry uses a Hammond B-3 with Leslie tone cabinet for the first time. “Inspiration In My Head” is “released.” The band is angry because the extended instrumental break at the end of the song is edited out. Friends and relatives convince a local record shop to order the single and buy a few dozen copies. A local radio station plays it once on the air. The band listens in a car and can’t believe that they’re on the radio. Nothing else happens. The band goes back to the studio to record more songs.
By late fall of 1970 the band decides to split up. Jerry, Scott and Duane head to college. Jerry assembles an ad-hoc band and records some solo songs. These are never released. Nanette does some further recording also, but nothing comes of it. Jerry studies film-making at college and ultimately becomes a corporate video manager. Scott ends up as a chef in a prestigious hotel. Duane becomes a candy salesman. Musky lands in Utah where he plays and books local bands. Don’t know what became of Nanette, Jay, Bob, Phil, Ritchie, or Pete. But Hector “Tico” Torres, the guy who wasn’t good enough to record, hooked up with a younger boy from Sayerville named Jon Bon Jovi and the rest, as they say”…by Jerry Dobb, (source : “Rockasteria” Blog).
External Links

The Strawberry Alarm Clock – “The World’s On Fire” (1967)

Band : The Strawberry Alarm Clock (Formed in 1967, in Los Angeles, California, U.S.A.)

Country Of Origin : U.S.A.

Track : “The World’s On Fire” (Opening track)

Album : “Incense And Peppermints (Debut Album)

Label : UNI Records (73014)

Date/Year Of Release : November 1967

Category/Music Genres : Acid Rock, Psychedelic Rock, U.S.A., 1960s


The Strawberry Alarm Clock – “The World’s On Fire”

Video on YouTube

Lyrics 

The world (the world)
Is on fire tonight (tonight)
And this flame that glows (flame that glows)
Is too hot for me to fight (to fight)
Dancing flames (dancing flames)
Twisting, turning out of sight (turning out of sight)
Smoke-filled eyes (smoke-filled eyes)
Crying, “Hold me, hold me tight” (me tight)

Tears of joy
And sad, smiling faces
Oh, make the sparkle above the brightly night

The world (the world)
Is on fire tonight (tonight)
And the flame that flows (flame that flows)
Is still burning oh so bright (so bright)
Blazing arms (blazing arms)
With a heavy appetite (appetite)
The swirling flames (swirling flames)
Blinding everyone in sight (in sight)

Sweat-filled traces
In common places
The price we pay to hear this type of fight

Fire
Fire
Fire
We’re on fire tonight

The song is included on the album “Incense And Peppermints” and it’s the album’s opening track.

“Incense And Peppermints” album 

Album cover photo (front)

Image result for strawberry alarm clock incense and peppermints

The Strawberry Alarm Clock – “Incense And Peppermints” Full Album Audio Playlist on Spotify

Incense and Peppermints is the first album by psychedelic rock band Strawberry Alarm Clock. Released in November 1967, the album reached No. 11 on the Billboard 200 album charts and included the band’s No. 1 Billboard Hot 100 hit “Incense and Peppermints”. In addition to the six official members of the band, the album also featured the flute playing of Steve Bartek, who co-wrote four songs on the album with bass player George Bunnell.

The tracks “The World’s on Fire”, “Rainy Day Mushroom Pillow” and “Incense and Peppermints” were all featured in the motion picture Psych-Out, along with a new song, “Pretty Song from Psych-Out”, which later appeared on the band’s second album, Wake Up…It’s Tomorrow.

A compilation album of the same name (albeit spelled with an ampersand) was released by MCA in 1990. To date, the album has been released on CD only in Japan and (more recently) on Sundazed Records.

Tracks

1. The World’s on Fire (E. King, G. Bunnell, L. Freeman, M. Weitz, R. Seol) – 8:25
2. Birds in My Tree (S. Bartek, G. Bunnell) – 1:54
3. Lose to Live (C. King, T. Stern) – 3:15
4. Strawberries Mean Love (G. Bunnell) – 3:02
5. Rainy Day Mushroom Pillow (S. Bartek, G. Bunnell) – 3:04
6. Paxton’s Back Street Carnival (S. Bartek, E. King, G. Bunnell, L. Freeman, M. Weitz, R. Seol) – 2:04
7. Hummin’ Happy (E. King, G. Bunnell, L. Freeman, M. Weitz, R. Seol) – 2:24
8. Pass Time With The SAC (G. Bunnell, L. Freeman, E. King, J. Pitman, M. Weitz) – 1:21
9. Incense and Peppermints (J. Carter, T. Gilbert) – 2:47
10.Unwind with the Clock (E. King, M. Weitz) – 4:13

Line-up 
George Bunnell – 2nd Bass Guitar, Vocals
Randy Seol – Drums, Bongos, Vibes, Vocals
Lee Freeman –  Rhythm Guitar, Harmonica, Vocals
Edward King – Guitar, Vocals
Mark Weitz – Vocals, Organ, Piano, Harpsichord
Gary Lovetro – 1st Bass Guitar, Vocals

Credits 

Producer – Bill Holmes, Frank Slay

Photography By – Ed Caraeff

Engineer – Paul Buff

Design [Cover Design] – Lazarus/LePrevost

Arranged By – Ed King (2), Howard Davis (2), Mark Weitz

Other [Advice] – Johnny Fairchild

Other [Clothing] – Sat Purish

External Links

The Strawberry Alarm Clock – “Incense And Peppermints” Full Album Video Playlist on YouTube

The Strawberry Alarm Clock – “Incense And Peppermints” Full Album Audio Playlist on Spotify

The Strawberry Alarm Clock – “Incense And Peppermints” Full Album Audio/Video Playlist on Last Fm

The Strawberry Alarm Clock – “Incense And Peppermints” Full Album Download Link on Rockasteria Blog